Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Smither, Howard E. | Historicism in nineteenth-century German oratorio. |
DetroitMMcol |
28 | | 2000 |
263-276 |
|
| 2. | Cash, Alice H. | Wanda Landowska and the revival of the harpsichord. |
DetroitMMcol |
28 | | 2000 |
277-284 |
|
| 3. | Parisi, Susan (ed.) | Music in the theater, church, and villa: Essays in honor of Robert Lamar Weaver and Norma Wright Weaver. Warren,MI; Harmonie Park, 2000. xx, 327p. ISBN: 0-89990-092-5. (= Detroit monographs in musicology/Studies in music, 28) |
DetroitMMcol |
28 | | 2000 |
xx, 327p |
|
| 4. | Ogasapian, John K. | The cantor/capellmeister issue in Bach scholarship: Blume's 'outlines' revisited. |
DetroitMMcol |
29 | | 2000 |
83-91 |
|
| 5. | Daverio, John; Ogasapian, John K. (eds.) | The varieties of musicology: Essays in honor of Murray Lefkowitz. Warren, MI: Harmonie Park, 2000. xiv, 194p. ISBN: 0-89990-093-3. (=Detroit monographs in musicology/Studies in music, 29) |
DetroitMMcol |
29 | | 2000 |
xiv, 194p |
|
| 6. | Stevens, Jane R. | The Bach Family and The Keyboard Concerto: The Evolution of a Genre. Warren, Michigan: Harmonie Park Press, 2001. xviii, 269p. ISBN: 0-89990-096-8. (= Detroit Monographs in Musicology / Studies in Music, 31) |
DetroitMMcol |
31 | | 2001 |
xviii, 269p |
|
| 7. | Geiringer, Karl | Emanuel Bach and the music of the Viennese classical triad. |
DetroitMMcol |
35 | | 2002 |
195-202 |
|
| 8. | Freeman, Robert N. (ed.) | Joseph Haydn and the Eighteenth Century. Collected Essays of Karl Geiringer. Warren, Michigan: Harmony Park Press, 2002. xxiv, 259p. ISBN: 0-89990-112-3. (= Detroit monographs in musicology/Studies in music, 35) |
DetroitMMcol |
35 | | 2002 |
xxiv, 259p |
|
| 9. | Van Deusen, Nancy | Baroque spectacles and the tradition of the turba. |
DetroitMMcol |
42 | | 2004 |
489-510 |
|
| 10. | Reardon, Colleen; Parisi, Susan Helen (eds.) | Music observed: studies in memory of William C. Holmes. ed. by Colleen Reardon and Susan Parisi. - Warren, Mich.: Harmonie Park Press, 2004. xxi, 547p. ISBN: 0-89990-125-5. (= Detroit monographs in musicology, studies in music, no. 42) |
DetroitMMcol |
42 | | 2004 |
xxi, 547p |
|
| 11. | Geiringer, Karl | Brahms's performance arrangements of Es ist genug. [BWV 60] |
DetroitMMcol |
49 | | 2006 |
379-387 |
|
| 12. | Bozarth, George S. (ed.) | On Brahms and his circle: Essays and documentary studies. Sterling Heights, MI: Harmonie Park, 2006. xxviii, 418p. ISBN: 0-89990-136-0; 978-0-89990-136-7. (= Detroit monographs in musicology/Studies in music, 49) |
DetroitMMcol |
49 | | 2006 |
xxviii, 418p |
|
| 13. | Schulenberg, David | Crossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography. |
DetroitMMcol |
55 | | 2010 |
271-302 |
[fs]Silbiger75 |
| 14. | Gibson, Jonathan | Hearing the Viola da Gamba in 'Komm, süsses Kreuz'. |
DetroitMMcol |
55 | | 2010 |
419-450 |
[fs]Silbiger75 |
| 15. | Fontijn, Claire; Parisi, Susan (eds.) | Fiori musicali: Liber amicorum Alexander Silbiger. edited by Claire Fontijn and Susan Parisi. - Sterling Heights, MI: Harmonie Park Press, 2010. xv, 595p. ISBN:978-0-89990-144-2. |
DetroitMMcol |
55 | | 2010 |
xv, 595p |
[fs]Silbiger75 |